Posting a beautiful picture with her dear ones in one frame, he wrote, “I had always wondered how it would be when I get proposed but when it actually happened it was better than I had ever dreamed of!!! I had everyone I loved with me when he popped the question and it's the best thing I could have ever hoped for. It was on Christmas 2019 when Aileena had shared the news with all her fans that she is now taken. #engaged #itsofficial #TheFEBulouswedding #bestdayever #blessed #grateful #thankyougod #thankyouuniverse #manifestations #mylove #jan25 #bigday #engagementring #engagementĪ post shared by Aileena Catherin Amon on at 3:15pm PST you made my dream outfit come you worked your magic and made me look so stunning! you captured our best moments. Thank you for going beyond our expectations and doing a wonderful event. What a day!!! Its official and we are engaged!!!. Check out pictures from their engagement: Varghese looked dapper in a bandhgala as he, too, showed his engagement ring. She kept her jewellery to the minimum and flaunted her ring as she posed for the camera. Her hashtags read, “#engaged #itsofficial #TheFEBulouswedding #bestdayever #blessed #grateful #thankyougod #thankyouuniverse #manifestations #mylove #jan25 #bigday #engagementring #engagement.”Īileena looked beautiful in a maroon lehenga, hair tied into a mid-parted bun with flowers. you made my dream outfit come you worked your magic and made me look so stunning! you captured our best moments." Her caption read, "What a day!!! Its official and we are engaged!!! Thank you for going beyond our expectations and doing a wonderful event. Her hashtags, too, were expressions of the happiness that she was experiencing. Aileena, too, posted pictures from the same and thanked an array of people who made her ‘big day’ a memorable affair. Sharing beautiful pictures from their engagement, Varghese wrote, “Engaged”. And last night, they got engaged to one another. And how wonderfully Malayalam actors, Balu Varghese and Aileena Catherin Amon, have founded their ‘best half’ counterparts in one another. But it will come to you when you least expect it. They say finding your one true love is an uphill task. But it’s also a one-trick pony that has nothing else going for it.Balu Varghese and Aileena Catherin get engaged | Photo Credit: Instagram
With a set of good actors, the film’s surely watchable, even through its most shallow patches. Instead of writing a screenplay that could multitask multiple characters and their arcs, the screenplay chooses to move from one to another, by which point it feels like the stakes are never getting bigger. It’s like the twist arrived at first and every scene before was simply retrofitted to get us to that point.
Which is perhaps why even the film’s clever twists appear vague and incoherent. It’s a film that needed these portions to work for the overall film to have any sort of an impact, but they appear so plain that they could have been interchangeable with another couple, another place, another song and another situation and we would hardly have noticed.
The biggest damage to the film is a result of how generic the romantic portions are. The film itself isn’t really reaching for the stars but it appears too comfortable staying still as long as the isolated comedy scenes work well. Neither silly enough to be funny nor serious enough to change the script’s trajectory, we simply get laboured scenes that lead up to a predictable conflict that would have worked fine without these many fights. Asif Ali and Rajisha Vijayan starrer ‘Ellam Sheriyakum’, Indrajith’s ‘Aaha’ and ‘Janeman’ starring Balu Varghese and Basil Joseph are scheduled for theatrical release on Friday. This is the same with the time the film takes to show Sumesh and Ramesh fighting. It’s like the film begins to neglect her just like her children do. But this setup doesn’t really amount to anything except to show us how helpless she is and how she continues to be so. She waits for water, gets the house in order, buys a lottery ticket, takes a bus and heads to work and we empathise with her when we learn how useless her kids are. For instance, we get long stretches that show us Usha’s daily routine which begins at 4:30 AM (like the opening credits of Veruthe Oru Bharya ). None of the individual strands get the closure we expect from them and the timeline never justifies this approach. Instead, it feels like the first thirty minutes of three different films have been stitched together to form a bigger film.
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